Gordon Goodwin's Big Phat Band That's How We Roll CD
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発売日:2011年04月08日/商品ID:2849453/ジャンル:JAZZ/フォーマット:CD/構成数:1/レーベル:Telarc/アーティスト:Gordon Goodwin's Big Phat Band/アーティストカナ:ゴードン・グッドウィンズ・ビッグ・ファット・バンド/タイトル:That's How We Roll/タイトルカナ:ザッツ・ハウ・ウィ・ロール
発売日:2011年04月08日/商品ID:2849453/ジャンル:JAZZ/フォーマット:CD/構成数:1/レーベル:Telarc/アーティスト:Gordon Goodwin's Big Phat Band/アーティストカナ:ゴードン・グッドウィンズ・ビッグ・ファット・バンド/タイトル:That's How We Roll/タイトルカナ:ザッツ・ハウ・ウィ・ロール
商品の情報
| 発売日 | 2011年04月08日 |
| ジャンル | JAZZ |
| フォーマット | CD |
| 構成数 | 1 |
| 製造国 | 輸入盤(アメリカ盤) |
| レーベル | Telarc |
| SKU | 888072323636 |
| 規格品番 | TEL32363 |
収録内容
| ・構成数 | 1 ・合計収録時間 | 01:07:23 ・情報取得元区分 | Personnel: Andrew Synowiec (guitar); Sal Lozano (flute, alto flute, piccolo, alto saxophone); Jeff Driskill, Brian Scanlon (flute, clarinet, tenor saxophone); Jay Mason (bass clarinet, baritone saxophone); Eric Marienthal (soprano saxophone, alto saxophone); Gordon Goodwin (tenor saxophone, piano); Dan Savant, Wayne Bergeron, Bob Summers (trumpet); Charlie Morillas, Francisco Torres, Andrew Martin (trombone); Rick Shaw (acoustic bass, electric bass); Bernie Dresel (drums); Brad Dutz (percussion).Audio Mixers: Gregg Field; Tommy Vicari.Liner Note Author: Gordon Goodwin.Recording information: Angel Song Studios, Glendale, CA; Conway Studios, Hollywood, CA; G Studio Digital, Studio City, CA; Glenwood Place Studios, Burbank, CA; Vertical Studios, Nashville, TN.Photographer: Rex Bullington.Upon seeing the title That's How We Roll, people who don't know anything about the history of pianist/tenor saxophonist Gordon Goodwin and his Big Phat Band might assume that this is a hip-hop recording. "That's how we roll" is a popular expression in hip-hop circles (at least as of 2011), but like a lot of the bebop and hipster slang of the '40s and '50s, hip-hop slang often reaches people who aren't necessarily part of hip-hop's core audience, and that includes a jazz instrumentalist like Goodwin, who is jazz-oriented on this 67-minute CD but doesn't conduct himself like a jazz purist from start to finish. Goodwin has his traditional big-band influences (Count Basie, Buddy Rich), but it's obvious that he also has a taste for soul and funk; in fact, some of the horn arrangements on That's How We Roll successfully find the link between Basie's funkiness and the funkiness of '70s funk/soul bands such as Parliament/Funkadelic, Tower of Power and Earth, Wind & Fire. That's How We Roll has its share of tracks that could easily be described as big-band soul-jazz, including "Rippin' n Runnin'," "Howdiz Songo?," and the title tune. But "Race to the Bridge" and "Gaining on You" have boppish melodies, and Goodwin's hard-swinging arrangement of George Gershwin's "Rhapsody in Blue" (which is the only song on this 2011 release he didn't compose) is quite Basie-minded. Meanwhile, the least jazz-friendly track is "Never Enough," which features Take 6 and is the only vocal offering on a predominantly instrumental CD; "Never Enough" is the only time the album ventures into outright funk (as opposed to jazz-funk or soul-jazz). That's How We Roll is not an album that was recorded with jazz purists in mind, and at the same time, there is way too much improvisation for the smooth jazz crowd. But this is an enjoyable outing if one is seriously into big-band jazz and also has a strong appreciation of soul and funk. ~ Alex Henderson ・録音 | ステレオ 1.CD
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